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“At the start of the
film boat, a voiceover appeared. That is a girl’s voice….” “When this voice
talking… trying to cope with the flashbacks that she’s receiving.” “She woke up
in a forest, the light was so bright that she couldn’t….” “…[W]e can see
forest… we can see water….” “…[V]oiceovers they seem more knowledgeable about
what’s going on in their lives during the moment and what point changed it
forever. The women in Boats seems not to know anything about what happened to
her prior and what is happening during the moment.” “She is tired and wants to
sleep…. She begins to describe what are on the boat just like the string with
strange shape.” “The film starts with a tree in a forest, the light is so
bright that we can’t see anything clearly. …[T]here is too bright… the bright
light changes into dark night….” “Then everything became dark, the girl’s voice
appeared again, ‘boat still moving fast, I feel tired…’.” “The camera turned to
the man and he said ‘It worked.’” “…[T]he story stopped with the picture of the
moon. ... We want to see beautiful things….”
“Worse than myself” is a phrase taken from “The
Uncommon Prayer-Book,” a story by M. R. James. At The Smart Set, I wrote about
Oxford World’s Classics’ latest reprint of James’ Collected Ghost Stories. Also
discussed: The Ring, Kate Bush, H. P. Lovecraft, and It Follows. At least have
a look at Shannon Sands’ charming illustrations. (See her illustration for
“Casting the Runes” above.)
For SHARKPACK, a response to the poem “Traveler’s Monologue” by Cassie Pruyn—“a horse with a second mouth. Mouth and mouth inside
its mouth. Duplicitous.”
Rose Metal Press authors were invited to contribute to the Song of the Week series at Coldfront. I wrote about “Nunu” by Mira
Calix. Poets off poetry, it says—not so!