Saturday, in Davis Square, Somerville, Matthew
Klane and I got up on stage together and read from The Problem of Boredom in
Paradise: Selected Poems by Paul Hannigan. Matthew read short pieces, including
the first poem of Hannigan’s I ever read: “Bringing Back Slavery // I think
we should have a parade for it.” I read “Homage to Toth,” a long poem of
reactions to the 1972 hammer attack on Michelangelo’s Pieta. I could have used
a rehearsal, but the response to our reading was positive.
Ethel Rackin, who read for Parlor Press, and
Travis Macdonald, for Fact-Simile, were among those who expressed especial
interest—in Hannigan, and in the project itself. I noted in my introduction to
the Selected the comfort I felt one evening when I imagined someone doing for
me what I was doing for Hannigan; Ethel had the same thought, and I bet other
poets in the room did too.
When DeWitt Henry, a founder of the literary
journal Ploughshares and a contemporary of Hannigan’s, saw the Selected, he was
quiet a moment, then excited. He had ideas—how to get the word out, who’ll be
interested. On Thursday I sat in on a panel to honor Henry’s long career. I
took two courses with him as an undergraduate. Both were important to me: an
advanced writing seminar and a course called literary editing—the latter a primer
for New Genre, which led me to Flim Forum Press.
Song Cave, another little poetry press, released A
Dark Dreambox of Another Kind: The Poems of Alfred Starr Hamilton. Also a recovery project, I’m told. Jane Gregory read from it and from her own book My
Enemies at a reading with Fence and Triple Canopy. She was good.
I started to assemble the Selected in 2007 and finished just months ago. I'm relieved it's in the world.
I started to assemble the Selected in 2007 and finished just months ago. I'm relieved it's in the world.
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