Bennington Review issue 11 claims “Money Makes the World.” Sure, money’s part of the texture, but there’s also 1980s MTV music videos. For instance, Taco’s “Puttin’ On the Ritz.” Taco, who wears a tuxedo & carries a neon cane, walks into an alley crammed with Depression-era poor. He sings, he taps, & he tosses cash into the air—thus, transforming Hooverville into a cabaret. Is Taco Tim Curry? No.
My “San Francisco Essay” appears in Bennington Review 11. Money is a concern of the essay—as in, the author has no money. Race is a concern. So is abortion, considered while reading The Midwich Cuckoos, John Wyndham’s novel about an alien invasion via women. Art is a concern, especially Jay DeFeo’s The Rose.
Aside from this current issue of Bennington Review, I’m also in the December issue of Ghost City Review— my poem, “[*/Sylvania].” There’s something about that poem that reminds me of another poem of mine from Voice Notes. Maybe I’m just repeating myself? Voice Notes is out from Sputen Duyvil, with a beautiful cover by Matthew Klane.
[ images: screen shot from Taco's "Puttin' On the Ritz" video & the cover of Bennington Review issue 11: "Money Makes the World" ]