Last night Marianne S. wrote to tell me she saw Worse Than Myself named as one of "The Scariest Books Ever," according to Abigail Ohlheiser for Slate. The list includes Lafcadio Hearn's Kwaidan, Mark Danielewski's House of Leaves, and Cormac McCarthy's The Road. My thanks to Ohlheiser, to Slate, and to Marianne.
Marianne is the first person I called
co-editor. I'd had co-conspirators (Jeremy Withers was making covers for me as far back as 8th
grade), but Marianne and I read a slush pile together, made selections, made changes, and published (via Sir Speedy) a couple spiral-bound issues of our high school's literary journal. I recall, with
pleasure, working with her in an otherwise empty classroom as the
afternoon waned to evening.
A review of Color
Plates, written by Jeff Charis-Carlson, was published in the Iowa City
Press-Citizen shortly after John Cotter and I read at Prairie Lights. The review now resides on his blog. I
like a couple lines especially: "There are recurring characters and
themes running through the 63 fictional snippets, but Golaski doesn't
slow down for readers who might be slow to catch all those connections
by themselves" and, "He's more focused on describing the memories and
fantasies that the paintings inspire." Accurate, both. Indeed, embedded in one
of the Plates is a memory of Marianne and me, editing together after