Showing posts with label Paul Hannigan. Show all posts
Showing posts with label Paul Hannigan. Show all posts

Wednesday, December 31, 2014

114. Interview dope } ho ho fools.



Dear Merry New Year’s Eve, Alexis Orgera wrote a very smart interview / essay with me and Paul Hannigan. Paul participated via his corpus. I participated by answering questions—Orgera said (here, her words from an April email exchange), “In all of these questions is the inherent question: Why did you decide to take on this project?  I'd love it if you were interested in engaging in the book with me from that perspective. I want to understand why Hannigan is important for you as editor/publisher.” What followed were ten questions that revealed Orgera to be insightful and to’ve read UP. Most impressed. We took our time. She moved: “I’ve been so busy moving / being without my things”—busy being without things? What kind of busyness? Is it chasing things? Eliminating things? Zapping furniture to goodwill on exoplanets? The end result of our back ‘n’ forth is, “Pity the Fool: An Interview with Adam Golaski, Co-Founder of Flim Forum Press, about Paul Hannigan's The Problem of Boredom in Paradise: Selected Poems, by Alexis Orgera,” published in Drunken Boat 20. Thanks to Shira Dentz for editorial assistance. Read.

[ The image is a scan of a drawing & text by Paul Hannigan, undated. ]

Tuesday, January 7, 2014

97. The Problem of Boredom } & friendship.


In a short end-of-the-year “best” piece for the Boston Globe, Don Share wrote about The Problem of Boredom in Paradise, the Paul Hannigan selected I edited. This project was completed with the help of Caroline Banks, Hannigan’s widow. I won’t go into details here, but she helped in numerous ways, most especially by her patient faith. I first contacted her nearly a decade ago, and years went by with little progress made. “Touching” is the wrong word—maybe “important”?—most important to me was the time she defended my editorship from another press—this, before I had any sure idea to whom I was going to submit a selected, if ever I finished.

Whether or not the book is the best book of poetry in 2013, Share’s praise will hopefully bring people to Paul’s poetry, and that’s what I want above all else.

If you shop Amazon for Emily Berry’s Dear Boy—another title Share recommends—Amazon will tell you that “customers who viewed this item also viewed” many other titles Share recommended, including Boredom, A Dark Dreambox of Another King: The Poems of Alfred Starr Hamilton, Collected Poetry by Bill Knott, Milk & Filth by Carmen Giménez Smith, etc. Also, I just discovered, Boredom all of a sudden has a review on its Amazon page, published days after the Globe article. A 2014 review for a book published in Feb. of ’13.

There's a line from the review I find intriguing: “I don't know how he must sound to younger poets now—probably too brittle and sarcastic.” This faintly echoes what Share wrote about me, “Time has been unkind to [Hannigan]; he died in 2000, almost forgotten. But his work was discovered by [a] young [poet] who [has] lovingly prepared a new selection....”

What’s all this about young poets?

The advantage I have over those poets who knew Paul is that I do not know him as they do. Some of his peers are quick to “remind” me that he was a pain in the ass, which may be why they couldn’t bring his work back into print.

Friendship is complicated; the following are four stanzas from Paul’s poem “My Friends”:
Some of them
Are my friends
Smiling as if they
Were cutting a wedding
Cake or buying a
New car.

You can tell
From the picture
They all speak English
And lies.

I see them in dreams;
Sometimes they are all
Falling over the rail
Of a great ocean liner
As I photograph them.
And sometimes they are

Slithering over the foot-
Board of the bed in which
I am unexpectedly dying.

All the while I edited Boredom, I wondered how I will react when some twenty-something calls me up out of the blue to talk about the brilliant poet they discovered who isn’t me but a pal of mine.

Wednesday, March 13, 2013

77. Post conference & } The Problem of Boredom in Paradise.


Saturday, in Davis Square, Somerville, Matthew Klane and I got up on stage together and read from The Problem of Boredom in Paradise: Selected Poems by Paul Hannigan. Matthew read short pieces, including the first poem of Hannigan’s I ever read: “Bringing Back Slavery // I think we should have a parade for it.” I read “Homage to Toth,” a long poem of reactions to the 1972 hammer attack on Michelangelo’s Pieta. I could have used a rehearsal, but the response to our reading was positive.

Ethel Rackin, who read for Parlor Press, and Travis Macdonald, for Fact-Simile, were among those who expressed especial interest—in Hannigan, and in the project itself. I noted in my introduction to the Selected the comfort I felt one evening when I imagined someone doing for me what I was doing for Hannigan; Ethel had the same thought, and I bet other poets in the room did too.

When DeWitt Henry, a founder of the literary journal Ploughshares and a contemporary of Hannigan’s, saw the Selected, he was quiet a moment, then excited. He had ideas—how to get the word out, who’ll be interested. On Thursday I sat in on a panel to honor Henry’s long career. I took two courses with him as an undergraduate. Both were important to me: an advanced writing seminar and a course called literary editing—the latter a primer for New Genre, which led me to Flim Forum Press.

Song Cave, another little poetry press, released A Dark Dreambox of Another Kind: The Poems of Alfred Starr Hamilton. Also a recovery project, I’m told. Jane Gregory read from it and from her own book My Enemies at a reading with Fence and Triple Canopy. She was good.

I started to assemble the Selected in 2007 and finished just months ago. I'm relieved it's in the world.

Sunday, March 3, 2013

76. Boston AWP } two readings.



“This story happened before television ceased to be.”

Thursday, I’ll read from Color Plates at the CCTV studio in Central Square (438 Massachusetts Avenue). The reading begins at 6pm. Also reading for Rose Metal Press is Aaron Teet, from his chapbook Shampoo Horns. We’re sharing the space with readers from Les Figues, Anomalous, Gold Line and Tiny Hardcore Press. I’m a fan of Les Figues—they published Alta Ifland’s Voice of Ice, Matthew Timmons’ The New Poetics, Harold Abramowitz’s Not Blessed, etc.; books I admire all. I’m not familiar with the other presses, tho I’m intrigued by Liat Berdugo’s Everyday Maths from Anomalous.

At the Burren, an Irish pub in Davis Square, Flim Forum press will join eleven other little presses, including Stockport Flats and Instance, Saturday at 6pm. Presumably we’ll be screaming poetry over the din of the regulars. Perhaps appropriately—Matthew Klane and I will read a few poems by Paul Hannigan, to celebrate the release of The Problem of Boredom in Paradise, my selection of his poems.

"there are two outstanding unproved conjectures / 1 / 2 // here are answers the Diabolical cube / the only reader / John Horton"

Tuesday, January 11, 2011

27. In the pages of } Paul Hannigan.


Spent the last three days in Brunswick, GA. with the papers of the poet Paul Hannigan. The second such trip. I had the feeling that I was seeing the future.

On the way home, at a restaurant in the Newark airport, I wrote a letter to a friend and felt as I was writing that the tone wasn’t mine at all but Hannigan’s.